… it’s not because of Paris or because of that contact that I got to hear only good orchestras, or only good artists, or attended only great cultural events, but from that position one observes more closely the flow of things here [in Kosovo]. I started understanding better, clearer, seeing the value in Albanian music, or the values that you have, your personal values, right? You know, when you’re a bit farther away, you know that distance, let’s say even physical distance, but the cultural distance of the environment mostly, you understand better the environment where you will go back.
That is your primary environment, right? And I have understood it better and that is quite important, developing and following the standards that exist in a center of culture. First, researching, understanding, experiencing those standards, that makes you better, so that you to launch and to try to preserve those standards in the less developed environment that we were at the time. You don’t see those standards if you go to Paris only once, for example, right? You attend a concert and you come back and you think that is how it should be done. No, when… only when you experience the rhythm of a big cultural center.